BATTLEGROUND VICTORY. COM |
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| BATTLE FRONT |
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| A CALL TO ARMS!!! |
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| Join the cause and help support indy art press! |
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| BATTLEGROUND VICTORY is a new independent publishing imprint created by Sean Patty in 2006 for the production, promotion and distribution of creator-owned comics and magazines like Patty's "Worgard: Viking Berserkir," a bold uncompromising vision among the current offerings of juvenile mainstream superhero, pop culture and movie tie-in titles available today. Independent comics publishers and distributors, retailers and consumers need to support one another if this art form is to survive. Our industry is dominated by ONE distributor, the monopoly Diamond Comic Distributors (DCD), owned by President and CEO Stephen A. Geppi. After signing exclusivity/brokerage contracts with the major corporate publishers, namely Marvel and DC (plus Image and Dark Horse), in the last ten years DCD has assimilated all competition, becoming the largest supplier of english-language non-returnable comics for the American Direct Market (DM) specialty retailer. |
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| A Note From The Artist: "The purpose of my work in narrative art is the exploration of the human condition, examining the seemingly contradictory, or dichotomous, nature of mankind by illustrating the struggle between his instinctive primal drives and his transgressive endeavors... and how these opposing forces conflict. I intend the WORGARD epic to be my magnum opus in narrative art, a definitive exploration of the human condition, incorporating grand nietzschean themes with the radical ideologies and beliefs of my own world view. Bold in scope, innovative and visionary, undiluted and uncensored, this series of stories will afford me the range and opportunity to explore and express my perspectives concerning the complicated animals we are. Told from an ancient perspective, utilizing eternal allegories, universal symbols and metaphors, delving into undeniable truths, my work endeavors to challenge the reader's modern perceptions of ourselves and the world we live in." Sean Patty 2006 |
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| The old adage: "Never place all of your eggs into one basket" has never been more apt than now. Being reliant on one distributor is bad for all involved: vendor, retailer and consumer. In fact, it is generally perceived as being so unhealthy for a free market economy that in 1997-2000, the US Dept of Justice (DOJ) investigated DCD for anti-trust violations. It was concluded that while DCD enjoyed a monopoly in the North American comic book DM, it did not have a monopoly over general book distribution (books other than comics) and thus had competitors. Since then, DCD has created a book division. The brokered publishers benefit from favored catalog placement and can offer higher retailer discounts and special incentives. The smaller non brokered independent publishers are forced to offer shallow discounts (plus DCD reorder penalty fees) whereby the retailer cannot make a profit stocking an indy book, even with an increased overall order volume. With narrow profit margins in a contracting niche market, with one distributor manipulated by Marvel and DC (who own 70+% of the market), retailers must be very careful pre-ordering their inventory, especially since Diamond still offers product on a non-returnable basis in the DM. Every other general book and magazine distributor in America offers returnable product. Since the early 1990's the US comics industry has decayed sharply with the major publishers experiencing declining sales and DM retail outlets suffering closures across the country. The adolescent audience that once fueled the industry grew up long ago and left the field, unable to find the quality alternative comics stories better suited to their mature sensibilities. Instead, the bulk of American comic books and graphic novels offered by Marvel and DC, distributed through Diamond and sold through the DM retailer are dominated by the superhero genre, shallow-minded juvenile titles like Superman and Spiderman which continue to clog up the shelf space of the struggling retailer who can neither hold on to an aging customer base nor attract new readers, let alone female readers, with such meager offerings. This is not the case globally, though. In every developed country comics are valued as both quality entertainment and an art form. A storytelling medium with unlimited potential to transmit ideas, to inform and educate. Millions of comics are produced and sold monthly throughout Europe and Asia, catering to an intelligent, cultured audience of different age groups demanding a variety of material: educational comics, fantasy and mystery comics, erotica and sports, comics about business, parenthood, politicians, soldiers, entertainers and artists, doctors, fishermen, wine and food, humor, fantastic visions of the future and ancient historical tales. The narrow American superhero genre is but a mere fragment of the global comics market, which offers comics titles of varied content and format designed to appeal to a broad range of reader from young boys and girls to teen-agers, young adults and beyond, a rich demographic the American retailer dreams of attracting but is not able or willing to cultivate. Imagine a 30-year old man walking into a popular clothing store like Mervyn's and finding it stocked only with the boys apparel they outgrew 20 years ago. Not an adult sized garment to be found in the place. Think about it. Would you go back? Diversity of vision, on the part of creators, publishers, distributors and retailers, with the support of an avid and expanding consumer base of both genders, of all ages and races, can return this American art form to vitality. For the future viability of this industry and art form, the battle will be waged in the endless possibilities of content, distribution and retailing, via both the standard brick-and-mortar markets and Internet. Success will depend on clarifying the issues facing the industry, taking risks and challenging the conventional thinking in favor of new approaches toward revitalization. Those with the strength of imagination and creativity, integrity, innovation and proactivity will prevail to forge the future. Those who cannot adapt will vanish through basic Natural Selection as short-sighted publishing, distribution and retailing continue to limit this unique medium's vast potential. WHAT CAN BE DONE? CREATORS must follow their instincts and produce bold visionary work, without self-censorship or compromise. Sequential art is the least explored of all the art forms, well worth the effort to elevate the form, transgressing the current lowly standards imposed by the major publishers, broadening the reach of the medium with passionate purposeful work. PUBLISHERS must solicit product only when it is certain that the shipping dates can be realized. In the face of DCD cancellation or retailer apathy, distribution must be sought directly with only proactive retailers or outside the Direct market if necessary, offering returnable product. DISTRIBUTORS eventually must offer returnable product, sharing the risk. RETAILERS must capitalize on alternative avenues of distribution without fear of reprisal from Diamond. Baker & Taylor for returnable GN's, Haven Distribution for indy titles and small studios like BATTLEGROUND VICTORY for direct wholesale accounts on returnable product at greater discounts than DCD can offer, plus free shipping. Diversity of product is key to growing a deep customer base. Adapt or perish. CONSUMERS can support your local retailer and pre-order your comics and graphic novels via the monthly color Diamond Previews product order catalog. Call 1-888-266-4226 to find a comics shop near your home. If your retailer will not order an indy title for you, then find a new store who will, or shop online. Apathetic or lazy retailing should NOT be tolerated. It is a struggle for survival in this highly competitive climate, economic Darwinism at its most elemental level. Action is necessary. Risk and resolve are required if this unique art form is to prosper into the future. __________ Retailers and Distributors are welcome to request Free sample comics or place orders via the Retailer page, using the Retailer or Distributor Wholesale Order Form. Retailers, be sure to read our 100 DAY RETURN GUARANTEE. Fans are welcome to peruse the initial offerings on the Store page. Shipping is Free within the continental US. Comics signed by the creator if requested. Battleground Victory is cultivating alternate forms of distribution (large or small distros where our product might fit), unconventional sales markets, Street teams or Cyber teams (with special incentives and rewards for helping BV distribute or sell product to new accounts or markets), the BV SoCal Retailer Tour 2008, fan and retail links, original content for digital distribution, upcoming (from BV and possibly others) alternative comics and prints, mags and zines, fine art, music and apparel, also interested in mutually beneficial publishing partnerships, convention appearances, and a possible Los Angeles Independent Arts Convention. All interested parties feel free to Contact BV. Battleground Victory is a small studio with big uncompromising vision. Check back periodically for new books, prints and posters, appearance updates, etc. Friends, thanks for your support. The battle for revolutionary independent creative expression rages onward... It is a Will To Power! -SP '06 |
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| WORGARD: VIKING BERSERKIR is trademarked (TM) and copyrighted (c) by Sean Patty. All rights reserved. WORGARD: VIKING BERSERKIR and related prints are published by Battleground Victory.com. The entire contents of this website are copyright (c) 1997-2010 by Sean Patty/Battleground Victory.com A.R.R. , except where noted. |